Other paths traveled...
Lithuania |Size wise | Now
Pulling out all the stops --
Lew Williams '75
By David Van Meter
SMELL OF PIZZA hangs heavy in the air when the evening train pulls into
Organ Stop Pizza in Mesa, Arizona.
at first soft and finally overbearing, shake the rafters and wiggle the
beer suds throughout this 800-seat restaurant, mostly filled on this warm
February night with retired Northerners defrosting for a few months in
the Valley of the Sun.
widen as the rumble rolls closer, a few checking their fillings, mouthfuls
of mozzarella on standby for the moment. But Lew Williams isn't worried.
He's been conducting this locomotive for the better part of 18 years,
and he hasn't derailed yet.
changes to a CHUG!, and then another, a few more, faster, and finally,
Williams rips another rendition of Chattanooga Choo Choo out of his organ
console. He's yet to play the song the same way twice, or any other tune
for that matter, which is just fine with him. After all, friends and music
critics, this is the greatest theater organ show on earth, and it is about
much more than music. As Williams himself likes to put it, if the classical
organ is Luciano Pavarotti, then this baby, with all of its additional
bells and whistles (literally), is somewhere closer to Garth Brooks:
outside, Organ Stop feels church-like with its symmetrical, three-tiered
architecture, and its style of worship points toward Pentecostal (with
extra pepperoni, please) once the glass front that houses the organ's
largest pipes comes into view; the turbine-powered pipes, all brightly
colored, include some 32 feet tall. Said Williams, "It looks like the
world's largest box of Crayons."
there is Organ Stop's centerpiece itself, a 1927 Wurlitzer organ, second-largest
in the world. The 5,000-pipe ebony console, gold-leaf accents on all sides,
has 422 stop keys and 100 pistons; an offstage computer can change the
sounds for each one of those keys 99 times.
there's the other, uh, stuff. The grand piano, controlled remotely, as
well as a saloon piano. The complete range of trumpets along the back
wall. And the wind chimes. The sleigh bells. Tambourines. Castanets. Snare
drums. Bongos. A fire engine horn. "Ooogah" horn. Tweety Bird pipe. That
is not a complete list. For special effects, there is a kaleidoscope projector,
a disco ball, strobe lights, soap bubbles that drop from the ceiling,
and, the personal favorite for most patrons, four dancing kitties controlled
from the organ's pedals and keyboard.
modestly confesses to being the "musical centipede" who controls it all
-- at least on his shift, Charlie Balogh being the other staff organist
-- which is almost as impressive as the music repertoire Williams plays,
all from memory.
request is a medley from Phantom of the Opera, but lately Elton John's
Candle in the Wind has also been in demand, as well as the theme music
from Titanic. Other mainstays are the Battle Hymn of the Republic, Lara's
Theme from Dr. Zhivago, the theme tune to TV's Mission Impossible, the
finale to the William Tell Overture and any state song from the North,
including Yankee Doodle. (He'll also sneak in the TCU Fight Song or Alma
Mater for any Horned Frogs in the crowd.) Of course, Williams will also
play Beethoven and the like, but perhaps as you've never heard it, or
seen it, before.
Williams has been all over the country and in England performing in venues
where staying true to the score is the whole point. His accolades, including
his 1988 honor as Organist of the Year by the American Theatre Organ Society,
indicates he's pretty good at it, too. But this venue doesn't demand anything
other than entertainment, and so that's why Williams, at least once every
night, comes by in his train and tries to get as many as possible to come
given time, there are people up there who couldn't care less what I'm
playing," Williams said. "But I'm also playing to people who perhaps have
never heard an organ or who have never heard classical music before.
who I'm playing for."